A 169 Cinematic Period Still On A 50mm Lens, Full Length And...
Category: General | Model: Stable Diffusion
A 169 Cinematic Period Still On A 50mm Lens, Full Length And...
Prompt Text
A 16:9 cinematic period still on a 50mm lens, full length and slightly off-axis so the crown and the train both read, warm lamplight inside a great felt tent at dusk: patterned felt hangings, a woven carpet, a low table with silver bowls of kumis and a platter of meat, a bronze brazier, a hooded hunting eagle on its perch — and behind her the tent doorway with its flap lifted, the opening lower than the crown so she has to stoop to pass under it. An adult Mongol noblewoman stands full length with her robe arranged to be read, one hand at her belt and the other holding out a wide sleeve so the brocade cuff shows; the skirt is long enough that its train lies spread across the carpet behind her. On her head is the crown of Mongol noblewomen, and its proportions are the point: a tall narrow tube two to three feet high whose walls run almost parallel from the banded base to the top, no wider across than her own head — the shape of a bamboo bolster — built on a slender willow-and-bamboo framework faced with birch-bark panels and wrapped in red-and-blue satin, banded with rows of pearls and small jade plaques, the top finishing narrow and rectangular and closing into a small slim Y, and from that crown rises one long pheasant feather set upright with red-and-blue wool tufts at its base. A broad band crosses her brow at the base of the tube, and her hair is gathered plain beneath it with nothing else worn in it. Her robe is a long crimson gown in the northern cut, the collar crossing left panel over right, wide long sleeves finished in gold brocade cuffs, a broad silk sash at the waist pinned with a silver plaque, and a small embroidered cloud collar over her shoulders; the silk is figured with gilt roundels in the Central Asian manner and edged with a band of woven gold. A short string of beads and pearls lies across her chest, and her feet are unbound, in soft leather boots with slightly upturned toes. The brazier's light runs along the gilt roundels, the pearl banding of the narrow crown and the silver belt plaque while the far side of the tent stays in shadow; the satin wrap of the crown, the single feather, the brocade cuffs and the folds of the trailing skirt hold the sharpest detail, and the eagle, the table and the felt walls soften away behind her.